Students entering Parsons share a common first-year experience. The same course sequence constitutes the first year of every BFA and BBA program, providing a foundational experience that familiarizes students with the tools, methods, and skills of art and design. First-year courses prepare students for life as skilled and socially aware artists and designers. Classes focusing on broadly relevant design concepts, tools, and methods—including studios exploring 2D and 3D processes, drawing, and digital design as well as liberal arts seminars—bring together students who are passionate about all kinds of art and design and who will one day forge new paths in an array of disciplines.
Drawing on the breadth and depth of expertise in design theory and practice at Parsons, this new Master of Arts program offers students the opportunity to explore design as both a field of scholarly research and an agent of social change.
Launched in fall 2010, this Master of Arts program allows students to engage in the evolving field of fashion studies. Using an interdisciplinary approach, students explore fashion as object, image, text, practice, theory, and concept and develop a critical understanding of fashion and its complex global intersections with identities, histories, and cultures in the contemporary world.
Offered jointly with the Cooper-Hewitt, National Design Museum, the History of Design and Curatorial Studies program leads to a Master of Arts degree. Graduates go on to careers as historians, curators, and scholars in museums, universities, historic houses, auction houses, and galleries.
Part-time faculty member Jeffrey Rosenfeld took his Design for Aging Populations class on a tour of 305 West End Avenue, a nationally recognized Senior Residence....
Fantastic Fauna from China to Crimea Image-Making in Eurasian Nomadic Societies, 700 BCE-500 CE Explores the zoomorphic imagination and image-making of Eurasian nomads and their...
Design, Displacement, Migration: Spatial and Material Histories gathers a collection of scholarly and creative voices—spanning design, art, and architectural history; design studies; curation; poetry; activism; and...
Recently published by Routledge, Caroline Dionne’s book Design Theory, Language and Architectural Space in Lewis Carroll offers spatial theories of the emergent based on a...
Robert Smithson, Land Art, and Speculative Realities, a new book by Rory O’Dea, Assistant Professor of Contemporary Art and Design at Parsons, was released on...
Janet Kraynak will be speaking on a panel discussion at Crossing the Line: Drawing and Its Extension, a half-day symposium occurring in conjunction with MoMA‘s…
The School of Art and Design History and Theory offers a rich menu of public programs this Fall. Fashion in Film: Melodrama | Tuesdays, 7:30-9:30pm | Tishman…
When Thanhha Lai’s students find out she’s from Vietnam, they share stories of canoeing along the coast, biking through the countryside, camping on beaches, devouring…
Ernesto Klar, ADHT and AMT Part-Time Faculty Member, was awarded the 2010 Share Prize in Turin for his work, Relational Lights. The Share Prize was created in…
Jilly Traganou will be editing The Journal of Design History’s upcoming Special Issue on Olympic Design. This issue will explore the diverse outlets for design…
Rosemary O’Neill presented her paper, “The Installations of Supports/Surfaces: Focal Dispersion in a Collaborative Field,” as part of a panel, The Visual Arts in France…
Rosemary O’Neill wrote the preface for the book, L’École de Nice: Paroles d’Artistes, published by Verlhac Editions, Paris (2010). Entitled “École de Nice: Action artistique…
On November 23, 2010, Laura Auricchio, Assistant Professor of Art History, will give a lecture, “Women Artists in the Age of the French Revolution,” in…