Students entering Parsons share a common first-year experience. The same course sequence constitutes the first year of every BFA and BBA program, providing a foundational experience that familiarizes students with the tools, methods, and skills of art and design. First-year courses prepare students for life as skilled and socially aware artists and designers. Classes focusing on broadly relevant design concepts, tools, and methods—including studios exploring 2D and 3D processes, drawing, and digital design as well as liberal arts seminars—bring together students who are passionate about all kinds of art and design and who will one day forge new paths in an array of disciplines.
Drawing on the breadth and depth of expertise in design theory and practice at Parsons, this new Master of Arts program offers students the opportunity to explore design as both a field of scholarly research and an agent of social change.
Launched in fall 2010, this Master of Arts program allows students to engage in the evolving field of fashion studies. Using an interdisciplinary approach, students explore fashion as object, image, text, practice, theory, and concept and develop a critical understanding of fashion and its complex global intersections with identities, histories, and cultures in the contemporary world.
Offered jointly with the Cooper-Hewitt, National Design Museum, the History of Design and Curatorial Studies program leads to a Master of Arts degree. Graduates go on to careers as historians, curators, and scholars in museums, universities, historic houses, auction houses, and galleries.
Part-time faculty member Jeffrey Rosenfeld took his Design for Aging Populations class on a tour of 305 West End Avenue, a nationally recognized Senior Residence....
Fantastic Fauna from China to Crimea Image-Making in Eurasian Nomadic Societies, 700 BCE-500 CE Explores the zoomorphic imagination and image-making of Eurasian nomads and their...
Design, Displacement, Migration: Spatial and Material Histories gathers a collection of scholarly and creative voices—spanning design, art, and architectural history; design studies; curation; poetry; activism; and...
Recently published by Routledge, Caroline Dionne’s book Design Theory, Language and Architectural Space in Lewis Carroll offers spatial theories of the emergent based on a...
Robert Smithson, Land Art, and Speculative Realities, a new book by Rory O’Dea, Assistant Professor of Contemporary Art and Design at Parsons, was released on...
Mistaken Identity May 7 – June 13, 2010 Mistaken Identity features: Dan Graham, Innocence Project, Carol Irving (ADHT Instructor), John Schabel, Karen Yama, and The Yes Men (Collaborator Andy Bichlbaum…
Assistant Professor Radhika Subramaniam spoke on a panel with Richard Torchia (artist and Director, Arcadia University Art Gallery) and Aaron Levy (Slought Foundation). The panel…
On January 25, 2009 Jilly Traganou gave an invited lecture at the Faculty of Architecture of the RWTH University Aachen in Germany within the framework…
MA Decorative Arts and Design Program alumna Amy Azzarito (2008) is publishing an essay, drawn from her MA thesis, on the hand-built architecture of the…
On January 21, 2010 Sarah Lichtman gave a lecture at the Museum of Art and Design entitled “Affluence and Anxiety: Aspects in postwar America, 1945-1965.
Greg Newton is co-teaching a pilot section of Laboratory 2 called Words and Works. This new course combines Laboratory 2 and Critical Reading and Writing…
Susan Yelavich, visiting critic at Milan’s Nuova Accademia di Belle Arti (NABA) since 2007, has been invited to return to NABA this March. With Milanese…
Laura Auricchio presented a paper “Lafayette’s New World Trees” at the American Society for Eighteenth-Century Studies Annual Conference, Richmond, VA, 2009.